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Bay Area Women's Theatre Festival
Book Tickets

Calendar of Events

Bay Area-wide: In preparation for a full festival in 2023, baWTF presents two play reading series taking place over every Monday in March, April, and May, 2022


● BIWOC+ Reading Series (1st/3rd Mondays) 2 chances to see each of 3 brand new plays by exciting, local women+ playwrights of color 1st Mondays at Brava Theatre Center, 2781 24th Street, San Francisco 3rd Mondays at Aurora Theater, 2081 Addison Street, Berkeley


● Classical Women Writers Reading Series (2nd/4th/5th Mondays) 7 plays from pivotal women writing soon after and/or in response to Shakespeare 2 plays online only + 1 each in Berkeley, Livermore, Orinda, San Francisco, and Santa Cruz

Every Monday, March - May, 2022. All readings at 7 pm. FREE (donations accepted).

Seating limited: Reserve your free ticket

CALENDAR OF EVENTS

Monday, March 7 (BIWOC+)

Nevermind

by Ai Aida

directed by Keiko Shimosato Carreiro


Stuck with a crazy monk. Haunted by grandpa's ghost... This is not what she signed up for!


Brava Theater Center, 2781 24th Street, SF


Monday, March 14 (CW) 

Witchcraft (1836) 

by Joanna Baillie 

directed by Lesley Currier  


Scotland appears to be replete with witches, but when a “good” woman ends up accused, her friends search their souls to understand what happened and figure out what can be done.  


Presented by Marin Shakespeare Company This reading is online only at the baWTF YouTube Channel


Monday, March 21 (BIWOC+) 

Nevermind

by Ai Aida 

directed by Keiko Shimosato Carreiro  


Stuck with a crazy monk. Haunted by grandpa's ghost... This is not what she signed up for!  


Aurora Theater 2081 Addison Street, Berkeley


Monday, March 28 (CW) 

The Innocent Mistress (1697) 

by Mary Pix 

directed by Heather Ondersma  


Lovers who cannot touch must depend on adventurous friends who cannot keep their hands off each other in this lusty, cross dressing romp through 17th century London.


Presented by Access Classics This reading is online only at the baWTF YouTube Channel


Monday, April 4 (BIWOC+) 

La Paloma

by Alejandra Maria Rivas

directed by April Ballesteros


Tallulah Beltran is a clinical psychologist with an uncanny ability to gain the trust of notorious inmates and uncover valuable information about their crimes. Her world changes when she is asked to interrogate a genderless shapeshifter who is responsible for the mysterious disappearance of at least a dozen other inmates. Will Tallulah uncover the truth, or will she fall prey to a high-stakes game that will result in nothing less than her own erasure? 


Brava Theater Center 2781 24th Street, San Francisco


Monday, April 11 (CW)

The Busy Body (1709)

by Susanna Centlivre

directed by Kirsten Brandt


Young lovers, bent on outwitting their tyrannical fathers and guardians, find their plans repeatedly overturned by a well-intentioned young man who can not stay out of everyone's business. One of the most popular comedies of the early 17th century, The Busy Body explores the legalities of what constitutes a marriage.


Presented by Santa Cruz Shakespeare

Santa Cruz Locaton TBD


Monday, April 18 (BIWOC+)  

La Paloma 

by Alejandra Maria Rivas 

directed by April Ballesteros


Tallulah Beltran is a clinical psychologist with an uncanny ability to gain the trust of notorious inmates and uncover valuable information about their crimes. Her world changes when she is asked to interrogate a genderless shapeshifter who is responsible for the mysterious disappearance of at least a dozen other inmates. Will Tallulah uncover the truth, or will she fall prey to a high-stakes game that will result in nothing less than her own erasure?    


Aurora Theater 2081 Addison Street, Berkeley


Monday, April 25 (CW) 

Winter's Passage 

by Jennifer Le Blanc 

directed by Jennifer Le Blanc  


A companion piece to Shakespeare’s Winter’s Tale (circa 1609 – 1611), Winter’s Passage imagines a history for the women characters before Shakespeare’s story began and explores what happens during the play’s lost 16 years. What is the nature of love, friendship, forgiveness, knowledge, and hope? What happens after death, in the undiscovered countryand what if some travelers could return?  Presented by SPARC (Shakespeare and Performing Arts Regional Company, formerly Livermore Shakespeare Festival) SPARC Studio 2172 Railroad Avenue, Livermore


Monday, May 2 (BIWOC+) 

Kudzu 2012 

by Tracy Baxter  

directed by Cat Brooks


All the spades-playing, weed-smoking, fish-fry-having Warfield family wants is to live out their ordinary lives in the working-class community they've always called home. But an energy drinkchugging tech "visionary" is determined to reinvent their neighborhood using a people-curation app he built—and the powers that be are on his side. Who'll be left standing? And just what the hell is in that smoothie?  


Brava Theater Center 2781 24th Street, San Francisco


Monday, May 9 (CW) 

Imogen Says Nothing

by Aditi Brennan Kapil

directed by Maryssa Wanlass


Presented by San Francisco Shakespeare Festival 

Potrero Hill Neighborhood House

953 De Haro Street, San Francisco


Monday, May 16 (BIWOC+)  

Kudzu 2012  

by Tracy Baxter    

directed by Cat Brooks


All the spades-playing, weed-smoking, fish-fry-having Warfield family wants is to live out their ordinary lives in the working-class community they've always called home. But an energy drinkchugging tech "visionary" is determined to reinvent their neighborhood using a people-curation app he built—and the powers that be are on his side. Who'll be left standing? And just what the hell is in that smoothie?   


 Aurora Theater 2081 Addison Street, Berkeley


Monday, May 23 (CW) 

The Emperor of the Moon (1687)

by Aphra Behn 

presented/directed by Erin Merritt 

(of the former all-female Shakespeare company Woman’s Will)  


When a gullible father stands in the way of four thwarted lovers, they devise a visit from a magical moon delegation to change his mind, in this irresistible, commedia-inspired, sci-fi farce. How can a dad say no to an Emperor, especially one whose sex-life he’s been trying so hard to watch?


California Shakespeare Theater 100 California Theater Way, Orinda


Bonus 5th week reading: 

Monday, May 30 (CW) 

Courage to Right a Woman's Wrongs (Valor, agravio y mujer) (circa 1630s) 

by Ana Caro de Mallén

directed by Dawn Monique Williams  


When Leonor’s womanizing lover Don Juan lets her down, she sets out to put him in his place. Dressed as the dashing “Leonardo,” our heroine tosses bon mots like bombs and manages more masterful maneuvers than a “real man” can handle, leaving “gender” and “honor” in the dust in this wild, witty, twist-filled comedy of intrigue.  


Presented by Aurora Theater 2081 Addison Street, Berkeley

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